RELIEF NARRATIVE ARJUNAWIWAHA DI GUA SELAMANGLENG DALAMPERSPEKTIF EDUKATIF
Abstract
Relief is
onenf the decorations which was carved on the wall of temple.The
most of the relieves of East Java style have rather flat
form as wayang, different
from the relieves of Centre Java style which
have realistic form. There was the relief
narrative Atjunawiwaha
which was carved on the wall of Selamangleng Cave,
which have
an education values which was necessary to the continue generation to
face the epoch challange globalisation. This
matter to remember the education
values of Indonesian
more pale. Although properly the .,ducation values which
was still relevance
with the epoch development 2006/2007 percisted were
defended, and the culture which not relevance with the need of Indonesian society
could be left.
In the asceticism scene contains belief in One God element, because
the reached of
purpose asceticism of was determined by the One God. It was
location of the education value which was necessary planted to the children early.
In the Goddess scene
was expressed freely and naturally. The describe of female
person
who tempts a male person, conform with the character of East Javanese
include the female person,
who has the extrovert character. It's different from the
Centre Javanese
who has the introvert character. There was also the ethic and
aesthetic value, that was described in the Goddess scene with low level, it means
they honor Atjuna. In the Bethara Guru scene gave a Pasopati heirloom to Arjuna
to killed Newatakawaca, indicated that Arjuna was responsible to reach the
purpose. The scene of Arjuna and Dewi Supraba went together to k.iIIed
Newatakawaca, indecated there were an union and unit value between the Arjuna
and Supraba. Thus
in the relief of Selamangleng Cave contains a lot of educational
values which was necessary transmited to the continue generation
onenf the decorations which was carved on the wall of temple.The
most of the relieves of East Java style have rather flat
form as wayang, different
from the relieves of Centre Java style which
have realistic form. There was the relief
narrative Atjunawiwaha
which was carved on the wall of Selamangleng Cave,
which have
an education values which was necessary to the continue generation to
face the epoch challange globalisation. This
matter to remember the education
values of Indonesian
more pale. Although properly the .,ducation values which
was still relevance
with the epoch development 2006/2007 percisted were
defended, and the culture which not relevance with the need of Indonesian society
could be left.
In the asceticism scene contains belief in One God element, because
the reached of
purpose asceticism of was determined by the One God. It was
location of the education value which was necessary planted to the children early.
In the Goddess scene
was expressed freely and naturally. The describe of female
person
who tempts a male person, conform with the character of East Javanese
include the female person,
who has the extrovert character. It's different from the
Centre Javanese
who has the introvert character. There was also the ethic and
aesthetic value, that was described in the Goddess scene with low level, it means
they honor Atjuna. In the Bethara Guru scene gave a Pasopati heirloom to Arjuna
to killed Newatakawaca, indicated that Arjuna was responsible to reach the
purpose. The scene of Arjuna and Dewi Supraba went together to k.iIIed
Newatakawaca, indecated there were an union and unit value between the Arjuna
and Supraba. Thus
in the relief of Selamangleng Cave contains a lot of educational
values which was necessary transmited to the continue generation
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PDFDOI: https://doi.org/10.21831/cp.v3i3.8579
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