Realisme magis dalam Roman Steinernes Fleisch karya Cornelia Funke menurut perspektif Wendy B. Faris
DOI:
https://doi.org/10.21831/jclf.v1i1.90Keywords:
Realisme Magis, Roman, Perspektif Wendy B. Faris, Magical Realism, Novel, Wendy B. Faris’s PerspectiveAbstract
Penelitian ini bertujuan untuk mendeskripsikan karakteristik elemen, gradasi tiap elemen, relasi antar elemen, dan kadar realisme magis roman Steinernes Fleisch karya Cornelia Funke. Penelitian ini menggunakan metode kualitatif dengan pendekatan realisme magis. Sumber data berasal dari roman Steinernes Fleisch karya Cornelia Funke. Data diperoleh dengan teknik baca dan catat. Data dianalisis dengan teknik deskriptif kualitatif. Keabsahan data diperoleh melalui validitas semantik. Penelitian ini menggunakan reliabilitas interrater dan intrarater. Hasil penelitian pada roman ini menunjukkan bahwa (1) roman ini memiliki lima karakteristik realisme magis dalam perspektif Wendy B. Faris, yaitu (a) the irreducible element (b) the phenomenal world, (c) unsettling doubts, (d) merging realms dan (e) distruption of identity. (2) Gradasi tiap elemen: terdapat perbedaan yang jelas di antara kelima elemen realisme magis. (3) Relasi antar elemen realisme magis: terdapat sebuah struktur yang saling terhubung dan mempengaruhi sebagai sebuah unsur pembangun cerita. (4) Dilihat dari kemunculan seluruh tokoh, objek, dan peristiwa dalam Roman Steinernes Fleisch, menunjukkan isi realisme magis dengan kadar yang kuat.
Magical realism in Cornelia Funke’s novel Steinernes Fleisch, according to Wendy B. Faris’s perspective
Abstract: This research aims to describe the characteristics of the elements, the gradation of each element, the relationship between elements, and the level of magical realism and the level of magical realism in Cornelia Funke’s Novel entitled Steinernes Fleisch. This research is qualitative research that produces descriptive data using the magical realism approach. The data were obtained using reading and note-taking techniques. The data were analyzed using qualitative descriptive techniques. Data validity was obtained through semantic validity. This research uses interrater and interrater reliability. The result of this study on romance suggests that (1) this romance has five characteristics of magical realism, according to Wendy F. Faris: (a) the irreducible element, (b) the phenomenal world, (c) unsettling doubts, (d) merging realms and (e) disruption of identity. (2) Element’s graduation: there is a clear distinction between the slings of the magical realism element. (3) The connections between magical realism elements: there is a structure that is connected and affected as a story builder. (4) The appearances of all these characters, objects, and events in the romance Steinernes Fleisch indicate a strong level of magical realism.
Downloads
References
Andalas, M. I. (2017). Narasi realisme magis dalam puisi “Gong” Karya Nirwan Dewanto. Genta Bahtera: Jurnal Ilmiah Kebahasaan Dan Kesastraan, 3(2). https://doi.org/10.47269/gb.v3i2.12
Asfahani, R. A. (2009). “Magical realism in Haruki Murakami ’ S After Dark”. Litera-Kultura, 07.
Asmida, E. (2020). Magical realism in Audrey Niffenegger’s the Time Traveler’s Wife. Eralingua: Jurnal Pendidikan Bahasa Asing Dan Sastra, 4(1). https://doi.org/10.26858/eralingua.v4i1.11891
Chelebourg, C. (2020). Le merveilleux et la mort. Poétique de la nostalgie dans Die Tintenwelt-Trilogie de Cornelia Funke. In Poétiques du merveilleux. https://doi.org/10.4000/books.apu.11661
Faris, W. B. (2004a). Ordinary enchantments: Magical realism and remystification of narrative. Vanderbilt University Press.
Faris, W. B. (2004b). Ordinary enchantments. Vanderbilt University Press. https://doi.org/10.2307/j.ctv17vf68f
Gabrič, A. (2016). Intertextualität bei Michael Ende, Cornelia Funke und Walter Moers. Journal for Foreign Languages, 8(1). https://doi.org/10.4312/vestnik.8.153-168
Gruber, S. (n.d.). The Habsburg heiress versus the European world of men. Https://Www.Habsburger.Net/En/Chapter/Habsburg-Heiress-versus-European-World-Men.
Hasanah, F., Subekti, M., & Tri Handayani, V. (2018). Makna realisme magis dalam Novel Jours De Colère dan ’Enfant Méduse Karya Sylvie Germain. LITERA, 17(3). https://doi.org/10.21831/ltr.v17i3.19990
Hulick, J. (2015). The Pirate Pig by Cornelia Funke. Bulletin of the Center for Children’s Books, 68(11). https://doi.org/10.1353/bcc.2015.0551
Karnatz, E. M. (2022). Cornelia Funke als Geschichtenerzählerin und Neuerzählerin von Märchen am Beispiel ihres Spiegelwelt-Universums. https://doi.org/10.1007/978-3-662-65017-2_12
Langemeyer, P. (2020). Funke, Cornelia: Tintenwelt-Trilogie. In Kindlers Literatur Lexikon (KLL). https://doi.org/10.1007/978-3-476-05728-0_6418-1
Latham, D. (2006). Magical realism and the child reader: The case of David Almond’s “Skellig.” The Looking Glass: New Perspectives on Children’s Literature, 10(1).
Munawar, B., Rafique, H., & Amin, H. (2021). An analysis of the darkest part of the forest by Holy Black in Light of Wendy B. Faris’ Model of Narrative Techniques in Magical Realism. NUST Journal of Social Sciences and Humanities, 6(2). https://doi.org/10.51732/njssh.v6i2.57
Okçul, M. (2022). “Magical realism and its reflection in the Bazuka Book”. Külliye. https://doi.org/10.48139/aybukulliye.1162927
Parkinson, Z., & Faris, W. B. (1995). Magical realism: Theory, History, Community. London: Duke University Press. Duke University Press.
Sari, R. A. (2018). Narasi realisme magis dalam Novel Puya ke Puya Karya Faisal Oddang: Konsep Karakteristik Realisme Magis Wendy B. Faris. Sapala, 5(1).
Ulfa, A. K. (2021). A concept of characteristics of magical realism in Patrick Ness’ A Monster Calls: A merger of objective and adolescent psychological approach. International Journal of English Literature and Social Sciences, 6(5). https://doi.org/10.22161/ijels.65.14
Walker, J. A. (2007). Ordinary Enchantments: Magical Realism and the Remystification of Narrative (review). Comparative Literature Studies, 44(4). https://doi.org/10.1353/cls.2007.0082
