SYMBOLIC CONVERGENCE IN ALFIN RIZAL'S INSTAGRAM POETRY

Authors

  • Mawaidi Universitas Negeri Yogyakarta
  • Suminto A. Sayuti Universitas Negeri Yogyakarta
  • Wiyatmi Universitas Negeri Yogyakarta

DOI:

https://doi.org/10.21831/litlit.v2i1.483

Keywords:

Keywords: symbolic convergence, Instagram poetry, digital literacy, bucin

Abstract

Literary works such as poetry are no longer limited to books. In the digital age, poetry has also shifted to media that easily accessible by readers. It means that poetry is no longer consumed by specific community only. Poetry can be consumed by people from various demographics; age and gender; and can be expressed by anyone from various backgrounds through social media platforms such as Instagram. This study discussed Instagram poetry from the theoretical perspective of symbolic convergence. The data sources for this research were the poems of Alfin Rizal, analyzed qualitatively. Data was collected from the Instagram account @alfinrizalisme, supported by Alfin Rizal's poetry books. Each piece of poetry content on Alfin Rizal's Instagram was classified into smaller taxonomies to facilitate findings. The findings of this study indicated the dramatization of messages by Alfin Rizal, which impacts public response to his work. This message dramatization takes the form of poetry videos, photo manipulation, background as the setting, and illustrations as a secondary backdrop. Another finding was the construction of symbolic reality, which affects public interaction (followers) who utilize this message dramatization (in the form of Instagram posts with poetry content) to re-communicate to the public through other social media platforms.

Downloads

Download data is not yet available.

References

Azhari, Artanti, Y., Zikrullah, M., Destari, D., (2024). Poem “Ruang Hijau” by Natasha Rizky and Emotional Expression: the Psychology of Literature Study. Literature & Literacy, 2(1), 13-23. https://doi.org/10.21831/litlit.v2i1.308

Barone, D., & Wright, T. E. (2008). Literacy Instruction with Digital and Media Technologies. The Reading Teacher, 62(4), 292–303. http://www.jstor.org/stable/27699693

Bau, D., Strobelt, H., Peebles, W., Wulff, J., Zhou, B., Zhu, J.-Y., & Torralba, A. (2019). Semantic photo manipulation with a generative image prior. ACM Transactions on Graphics, 38(4), 1–11. doi:10.1145/3306346.3323023

Bormann, E. G. (1985). Symbolic Convergence Theory: A Communication Formulation. Journal of Communication, 35(4), 128–138. doi:10.1111/j.1460-2466.1985.tb02977.x

Bormann, E. G., Knutson, R. L., & Musolf, K. (1997). Why do people share fantasies? An empirical investigation of a basic tenet of the symbolic convergence communication theory. Communication Studies, 48(3), 254–276. doi:10.1080/10510979709368504

Bormann, E.G. (1972). Fantasy and rhetorical vision: The rhetorical criticism of social reality. Quarterly Journal of Speech, 58, 396-407. https://doi.org/10.1080/00335637209383138

Bormann, E.G. (1982) The symbolic convergence theory of communication: Applications and implications for teachers and consultants, Journal of Applied Communication Research, 10:1, 50-61, DOI: 10.1080/00909888209365212

Bormann, E.G. (1990). Small group communication: Theory and practice (3rd ed.). New York: Harper Collins.

Bormann, E.G. (1996). Symbolic convergence theory and communication in group decision making. In R. Y. Hirokawa, & M. S. Poole Communication and group decision making (pp. 81-113). SAGE Publications, Inc., https://www.doi.org/10.4135/9781452243764.n4

Christian, A., TW. Mulya, dan K. Suvianita. (2019). Cuma Jadi Budak Cinta: Mengungkap Kekerasan dalam Pacaran Terhadap Laki-Laki. Calyptra: Jurnal Ilmiah Mahasiswa, 8 (1), 1708-1715.

Cunliffe-Jones, P., Diagne, A., Finlay, A., Gaye, S., Gichunge, W., Onumah, C., Pretorius, C., & Schiffrin, A. (2018). DIFFERENT TYPES OF MEDIA LITERACY: DIFFERENT EFFECTS. In Misinformation Policy in Sub-Saharan Africa: From Laws and Regulations to Media Literacy (pp. 23–26). University of Westminster Press. http://www.jstor.org/stable/j.ctv1v3gqw5.7

Dwijayani, N. K. K. (2020). Bucin itu Bukan Cinta: Mindful Dating for Flourishing Relationship. Widya Cakra: Journal of Psychology and Humanities, 1 (1), 1-14. doi: https://doi.org/10.24843/widyacakra.2020.v1.i1.p69189.

Gardner-Chloros, P. (2009). Code-switching. New York: Cambridge University Press.

Koops van ’t Jagt, R., Hoeks, J. C. J., Dorleijn, G. J., & Hendriks, P. (2014). Look before you leap: How enjambment affects the processing of poetry. Scientific Study of Literature, 4(1), 3–24. doi:10.1075/ssol.4.1.01jag

Maslow, A. H. (2021). Motivation and Personality (Motivasi dan Kepribadian). Diterjemahkan oleh Achmad Fawaid dan Maufur. Yogyakarta: Cantrik Pustaka.

Mawaidi & Suroso. (2021). Produksi dan Distribusi Sastra Kanon: Studi Kasus Penerbitan Buku Umar Kayam. Widyaparwa: Jurnal Ilmiah Kebahasaan dan Kesastraan 49(2), 413-428. https://doi.org/10.26499/wdprw.v49i2.841.

Mutiaz, I. R. (2019). Konstruksi Realitas Simbolik Generasi Milenial Melalui Tema Fantasi Selebgram di Media Sosial. Jurnal Sosioteknologi, 18(1), 113-129. https://doi.org/10.5614/sostek.itbj.2019.18.1.9

Naji, J. (2018). The Posthuman Poetics of Instagram Poetry. Proceedings of EVA Copenhagen 2018, Denmark. DOI: 10.14236/ewic/EVAC18.1

Natchez, G. (1988). Frida Kahlo and Diego Rivera - The Transformation of Catastrophe to Creativity. The Psychotherapy Patient, 4, 153-174.

Olufowote, J.O. (2017). Symbolic Convergence Theory. The International Encyclopedia of Organizational Communication, 1–8. doi:10.1002/9781118955567.wbieoc202

Pâquet, L. (2019). Selfie‐Help: The Multimodal Appeal of Instagram Poetry. The Journal of Popular Culture, 52(2), 296–314. doi:10.1111/jpcu.12780.

Piliang, Y. A. (2018). Medan Kreativitas: Memahami Dunia Gagasan. Yogyakarta: Cantrik Pustaka.

Rizal, A. (2020). Jauh di Mata Nekat di Hati. Yogyakarta: Gradien Mediatama.

Rizal, A. (2020). Manusia Bermiliar-Miliar, Cuma Kamu yang Bikin Ambyar. Jakarta: Media Kita.

Downloads

Published

2024-06-26

Issue

Section

Articles

Categories