KERUDUNG SANTET GANDRUNG : SIMBOL PERLAWANAN TERHADAP KAUM SANTRI BANYUWANGI
Abstract
A literary work as a cultural artifact is a verbal symbol that has to be
interpreted in a broad context because it correlates with the writer’s intention in
responding to an experienced situation. Kerudung Santet Gandrung is a novel set
in Banyuwangi representing the life of practitioners of the Gandrung traditional art
and that of santris, people studying at Islamic religious boarding schools. There
are many symbols in the novel which potentially could be seen as indications of
textual elements in the dynamic relation between the two different communities.
By using a cultural hermeneutic approach, the novel strives to depict an effort in
resistance made by Hasnan Singodimayan, an observer of Banyuwangi culture, to
reconstruct a new and positive image of traditional artists. His resistance is an
attempt to preserve Banyuwangi traditional arts which are threatened with
extinction by Islamic purification movements.
Keywords: novel, Gandrung, symbol, resistance
interpreted in a broad context because it correlates with the writer’s intention in
responding to an experienced situation. Kerudung Santet Gandrung is a novel set
in Banyuwangi representing the life of practitioners of the Gandrung traditional art
and that of santris, people studying at Islamic religious boarding schools. There
are many symbols in the novel which potentially could be seen as indications of
textual elements in the dynamic relation between the two different communities.
By using a cultural hermeneutic approach, the novel strives to depict an effort in
resistance made by Hasnan Singodimayan, an observer of Banyuwangi culture, to
reconstruct a new and positive image of traditional artists. His resistance is an
attempt to preserve Banyuwangi traditional arts which are threatened with
extinction by Islamic purification movements.
Keywords: novel, Gandrung, symbol, resistance
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PDFDOI: https://doi.org/10.21831/diksi.v14i2.6598
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