Menuju pemahaman komprehensif fenomena selfie: Mengeksplorasi kontradiksinya dalam kerangka aksiologis seni

Kasiyan Kasiyan, Universitas Negeri Yogyakarta, Indonesia

Abstract


Fenomena selfie adalah salah satu bagan dari penyakit kejiwaan, yang bukan hanya berkaitan dengan domain psikologi, melainkan juga terhubung dengan pelbagai disiplin yang kompleks, termasuk juga seni. Dalam perspektif seni, fenomena selfie, menimbulkan kontradiksi yang memunculkan kompleksitas tegangan antara ekspresi dan nilai-nilai, ketika dianalisis dari perspektif aksiologi. Artikel ini menegaskan keprihatinan, betapa keberadaan selfie sering kali mengabaikan aspek etis, yang disebabkan terlalu mengedepankan motif estetis. Pentingnya memperhatikan nilai-nilai etis dalam konstruksi dan reproduksi seni, termasuk selfie, menuntut refleksi tentang tanggung jawab moral dan sosial. Kesadaran akan dampak destrukstifnya terhadap individu dan masyarakat, karenanya perlu mengglorifikasikan pentingnya kesadaran ekspresi seni, termasuk selfie, yang lebih bertanggung jawab. Dengan demikian, artikel ini menegaskan pentingnya nilai-nilai etis dan kreativitas sebagai landasan utama dalam ekspresi dan apresiasi seni, yang semakin terhubung secara digital di era kontemporer ini.

 

Kata kunci: Selfie dan aksiologi seni, nilai-nilai etis dalam seni, tanggung jawab sosial dan moral seni

 

Towards a comprehensive understanding of the selfie phenomenon: Exploring its contradictions within the axiological framework of art

 

Abstract

The selfie phenomenon is a form of mental illness that not only relates to the domain of psychology, but is also connected to various complex disciplines, including art. From an artistic perspective, the selfie phenomenon creates a contradiction that creates a complex tension between expression and values, when analysed from an axiological perspective. This article highlights the concern that selfies often neglect ethical aspects due to the overemphasis on aesthetic motives. The importance of ethical values in the construction and reproduction of art, including selfies, demands reflection on moral and social responsibility. Awareness of its destructive impact on individuals and society, therefore, needs to glamorise the importance of a more responsible consciousness of artistic expression, including selfies. As such, this article emphasises the importance of ethical values and creativity as key cornerstones in the expression and appreciation of art, which is increasingly digitally connected in this contemporary era.

 

Keywords: Selfie and axiology of art, ethical values in art, social and moral responsibility of art

Keywords


selfie and axiology of art, ethical values in art, social and moral responsibility of art

Full Text:

PDF

References


Ahern, K. (2019). My Selfie-Image: An Artist’s Multimedia Perspective to Self-Discovery. University of Rhode Island. https://www.proquest.com/openview/1ac40ca2187360164ab2f743d139111c/1?pq-origsite=gscholar&cbl=18750&diss=y

Ahmad, M. (2020). The Sociology of Selfies. International Journal of Creative Research Thoughts (IJCRT) 8 (7), 211–230.

Aryabkina, I., Baskakova, N., Grigorieva, L., & Petrov, G. (2019). Formation of cultural and aesthetic competence of the student of the university of culture and arts: philosophical and methodological approaches. Amazonia Investiga, 8(23), 6–16. https://www.amazoniainvestiga.info/index.php/amazonia/article/view/837

Bahm, A. J. (1993). Axiology: The science of values (Vol. 2). Rodopi.

Belk, R. W. (2013). Extended self in a digital world. Journal of Consumer Research, 40(3), 477–500. https://doi.org/10.1086/671052

Berry, M. (2017). Creating with mobile media. Springer.

Boursier, V., Gioia, F., & Griffiths, M. D. (2020). Do selfie-expectancies and social appearance anxiety predict adolescents’ problematic social media use? Computers in Human Behavior, 110, 106395. https://doi.org/10.1016/j.chb.2020.106395

Boursier, V., & Manna, V. (2018). Selfie expectancies among adolescents: Construction and validation of an instrument to assess expectancies toward selfies among boys and girls. Frontiers in Psychology, 9, 371679. https://doi.org/10.3389/fpsyg.2018.00839

Brown, R. H. (1995). Realism and power in aesthetic representation. In Postmodern representation: Truth, power, and mimesis in the human sciences and public culture (pp. 134–167). University of Illinois Press.

Caligor, E., Levy, K. N., & Yeomans, F. E. (2015). Narcissistic personality disorder: Diagnostic and clinical challenges. American Journal of Psychiatry, 172(5), 415–422. https://doi.org/10.1176/appi.ajp.2014.14060723

Chae, J. (2017). Virtual makeover: Selfie-taking and social media use increase selfie-editing frequency through social comparison. Computers in Human Behavior, 66(January), 370–376. https://doi.org/10.1016/j.chb.2016.10.007

Chang, J. (2001). Axiology and Ethics: Past, Present, and Future. In The future of value inquiry (pp. 67–73). Brill Publisher.

Chang, K. B. N. (2019). They see me scrolling, and I’m hating: Instagram usage and its effect on self-esteem and body image. https://digitalcommons.bard.edu/senproj_s2019/54/

Chuk, N. (2018). Media shy: The perils of bashfulness in the digital age, an era of speed, satisfaction, and spectacle. Interações: Sociedade e as Novas Modernidades, 34, 92–112. https://doi.org/10.31211/interacoes.n34.2018.a5

Cooper, N., Brady, E., Steen, H., & Bryce, R. (2016). Aesthetic and spiritual values of ecosystems: Recognising the ontological and axiological plurality of cultural ecosystem ‘services.’ Ecosystem Services, 21, 218–229. https://doi.org/10.1016/j.ecoser.2016.07.014

Cruz, E. G., & Thornham, H. (2015). Selfies beyond self-representation: the (theoretical) f (r) ictions of a practice. Journal of Aesthetics & Culture, 7(1), 28073. https://doi.org/10.3402/jac.v7.28073

D’Angelo, P. (2019). Framing theory and journalism. The International Encyclopedia of Journalism Studies, 2002, 1–10. https://doi.org/10.1002/9781118841570.iejs0021

Da Silva, H. M., Vilarim, J. R. L., & da Silva, J. S. F. (2021). Social networks, appearance and self-esteem: a literature review from 2002 to 2021. International Journal of Sciences, 2(3), 112–116. https://doi.org/10.29327/229003.2.3-21

De Vaate, A. J. D. B. (2023). Unraveling Social Media Effects: How the Intertwinement of Online Content and User Behaviors Guides Mental Health and Body Image. https://research.vu.nl/en/publications/unraveling-social-media-effects-how-the-intertwinement-of-online-

Deighton-Smith, N., & Bell, B. T. (2018). Objectifying fitness: A content and thematic analysis of# fitspiration images on social media. Psychology of Popular Media Culture, 7(4), 467. https://doi.org/10.1037/ppm0000143

Diefenbach, S., & Christoforakos, L. (2017). The selfie paradox: Nobody seems to like them yet everyone has reasons to take them. An exploration of psychological functions of selfies in self-presentation. Frontiers in Psychology, 8, 229215. https://doi.org/10.3389/fpsyg.2017.00007

Eckel, J., Ruchatz, J., & Wirth, S. (2018). The selfie as image (and) practice: Approaching digital self-photography. Exploring the Selfie: Historical, Theoretical, and Analytical Approaches to Digital Self-Photography, 1–23. https://doi.org/10.1007/978-3-319-57949-8_1

Ehlin, L. (2014). The subversive selfie: redefining the mediated subject. Clothing Cultures, 2(1), 73–89. https://doi.org/10.1386/cc.2.1.73_1

Elliott, A. (2022). Algorithmic intimacy: The digital revolution in personal relationships. John Wiley & Sons.

Eshiet, J. (2020). “Real Me Versus Social Media Me:” Filters, Snapchat Dysmorphia, and Beauty Perceptions Among Young Women. https://scholarworks.lib.csusb.edu/etd/1101/

Fine, G. A., & Manning, P. (2003). Erving Goffman. In The Blackwell companion to major contemporary social theorists (pp. 34–62). Blackwell.

Freedman, K. (2003). Teaching visual culture: Curriculum, aesthetics, and the social life of art. Teachers College Press.

Geiger, I. (2020). From letter to Twitter: A systematic review of communication media in negotiation. Group Decision and Negotiation, 29(2), 207–250. https://doi.org/10.1007/s10726-020-09662-6

Goetz, T. G. (2022). Self (ie)-Recognition: Authenticity, Passing, and Trans Embodied Imaginaries. Studies in Gender and Sexuality, 23(4), 256–278. https://doi.org/10.1080/15240657.2022.2133525

Goldman, A. H. (2006). The experiential account of aesthetic value. The Journal of Aesthetics and Art Criticism, 64(3), 333–342. https://www.jstor.org/stable/3700565

Gray, N. M. (2023). Botched This Way: An Autoethnographic Exploration of Beauty Standards, Celebrity, and Surgical Culture on Instagram. San Diego State University. https://www.proquest.com/openview/3f2bba6b997923ae53f95c9bc3fc56c8/1?pq-origsite=gscholar&cbl=18750&diss=y

Grenyer, B. F. (2013). Historical overview of pathological narcissism. https://doi.org/10.1037/14041-001

Gromala, D. J. (2007). Towards a phenomenological theory of the visceral in the interactive arts. University of Plymouth. https://doi.org/10.24382/3905

Grünberg, L. (2021). The mystery of values: Studies in axiology. In The Mystery of Values. Brill Publisher.

Gürkan, H., & Serttaş, A. (2023). Beauty standard perception of women: a reception study based on Foucault’s truth relations and truth games. Information & Media, 96(2), 21–39. https://www.ceeol.com/search/article-detail?id=1130170

Hawes, T., Zimmer-Gembeck, M. J., & Campbell, S. M. (2020). Unique associations of social media use and online appearance preoccupation with depression, anxiety, and appearance rejection sensitivity. Body Image, 33(June), 66–76. https://doi.org/10.1016/j.bodyim.2020.02.010

Hess, C. L. (2003). When Narcissus Teaches: Teaching, Mentoring and the Danger of Narcissism. Teaching Theology & Religion, 6(3), 127–137. https://doi.org/10.1111/1467-9647.00164

Holiday, S., Lewis, M. J., Nielsen, R., Anderson, H. D., & Elinzano, M. (2016). The selfie study: Archetypes and motivations in modern self-photography. Visual Communication Quarterly, 23(3), 175–187. https://doi.org/10.1080/15551393.2016.1223548

Hussain, Z., & Griffiths, M. D. (2018). Problematic social networking site use and comorbid psychiatric disorders: A systematic review of recent large-scale studies. Frontiers in Psychiatry, 9, 429595. https://doi.org/10.3389/fpsyt.2018.00686

Iqani, M., & Schroeder, J. E. (2016a). # selfie: Digital self-portraits as commodity form and consumption practice. Consumption Markets & Culture, 19(5), 405–415. https://doi.org/10.1080/10253866.2015.1116784

Iqani, M., & Schroeder, J. E. (2016b). #selfie: digital self-portraits as commodity form and consumption practice. Consumption Markets & Culture, 19(5), 405–415. https://doi.org/10.1080/10253866.2015.1116784

Janković Shentser, M. (2020). Selfie: The Phenomenon of False Self vs. True Self Representation in Social Media Comunnication. Josip Juraj Strossmayer University of Osijek. Academy of Arts and Culture in …. https://zir.nsk.hr/islandora/object/aukos:678

Javanbakht, A. (2006). Was the myth of narcissus misinterpreted by Freud? Narcissus, a model for schizoid–histrionic, not narcissistic, personality disorderarash javanbakht. The American Journal of Psychoanalysis, 66, 63–71. https://doi.org/10.1007/s11231-005-9003-1

Johnson, B. D. (2016). Cognitive-behavioral approaches in counseling and psychotherapy. In Contemporary theory and practice in counseling and psychotherapy (pp. 264–292). SAGE Publications Inc.

Johnson, M. (2018). The aesthetics of meaning and thought: The bodily roots of philosophy, science, morality, and art. University of Chicago Press.

Kalnická, Z. (2016). The Gender Metamorphosis of Narcissus. Salvador Dalí: Metamorphosis of Narcissus. Estetyka i Krytyka, 41(2), 51–76. https://www.ceeol.com/search/article-detail?id=444094

Kealy, D., & Ogrodniczuk, J. S. (2011). Narcissistic interpersonal problems in clinical practice. Harvard Review of Psychiatry, 19(6), 290–301. https://doi.org/10673229.2011.632604

Kearney, A. (2018). Uses and gratification of posting selfies on social media. Rochester Institute of Technology.

Key, A. (2022). Relationship of Social Media Usage with Body Image, Self-Esteem, and Social Comparison Among Women over 30. Northcentral University. https://www.proquest.com/openview/7637fd4914053e903bac251b3499ef8c/1?pq-origsite=gscholar&cbl=18750&diss=y

Khanna, A., & Sharma, M. K. (2017). Selfie use: The implications for psychopathology expression of body dysmorphic disorder. Industrial Psychiatry Journal, 26(1), 106–109. https://doi.org/10.4103/ipj.ipj_58_17

Kim, K. H. Y. (2006). Reflective practice in arts education. Springer Publishing.

Kompatsiaris, P., & Chrysagis, E. (2020). Crafting values: economies, ethics and aesthetics of artistic valuation. In Journal of Cultural Economy (Vol. 13, Issue 6, pp. 663–671). Taylor & Francis. https://doi.org/10.1080/17530350.2020.1798803

Kozinets, R., Gretzel, U., & Dinhopl, A. (2017). Self in art/self as art: Museum selfies as identity work. Frontiers in Psychology, 8, 243309. https://doi.org/10.3389/fpsyg.2017.00731

Kuipers, G., Franssen, T., & Holla, S. (2019). Clouded judgments? Aesthetics, morality and everyday life in early 21st century culture. European Journal of Cultural Studies, 22(4), 383–398. https://doi.org/10.1177/1367549419861634

Küpers, W. (2020). Embodied “inter-practice” in organizations–the contribution of Merleau-Ponty to carnal organizational practices and studies. Journal of Organizational Change Management, 33(7), 1449–1469. https://doi.org/10.1108/JOCM-05-2019-0124

Lal, B. B. (1995). Symbolic interaction theories. American Behavioral Scientist, 38(3), 421–441. https://doi.org/10.1177/000276429503800300

Larivée, A. (2015). An unexamined life is not worth living for human beings. Diálogos, 98, 11–25. https://revistas.upr.edu/index.php/dialogos/article/view/13175

Lasswell, H. D. (2006). The structure and function of communication in society. In Communication Theories—Critical Concepts in Media and Cultural Studies (Vol. 1, pp. 84–95). Harper and Row.

Levy, K. N. (2012). Subtypes, dimensions, levels, and mental states in narcissism and narcissistic personality disorder. Journal of Clinical Psychology, 68(8), 886–897. https://doi.org/10.1002/jclp.21893

Liu, Y., Zhu, J., & He, J. (2022). Can selfies trigger social anxiety? A study on the relationship between social media selfie behavior and social anxiety in Chinese youth group. Frontiers in Psychology, 13, 1016538. https://doi.org/10.3389/fpsyg.2022.1016538

Lopata, H. Z. (2003). Symbolic interactionism and I. Symbolic Interaction, 26(1), 151–172. https://doi.org/10.1525/si.2003.26.1.151

MacLeod, A. J. (2020). The Age of Selfies: Reasoning about Rights when the Stakes are Personal. Rowman & Littlefield Publishers.

Maes, H. (2017). Conversations on Art and Aesthetics. Oxford University Press.

Meier, E. P., & Gray, J. (2014). Facebook photo activity associated with body image disturbance in adolescent girls. Cyberpsychology, Behavior, and Social Networking, 17(4), 199–206. https://doi.org/10.1089/cyber.2013.0305

Miclot, S. D. (2015). It’s All About Me: A Phenomenological Exploration of the Trending Phenomenon of the Selfie as a Transmedia Storytelling Communication Technique of Disassociating with the Real Self. Colorado Technical University. https://www.proquest.com/openview/7a55d1a8b4766b007127e513ec20110e/1?pq-origsite=gscholar&cbl=18750

Milivojević, T. (2014). # Selfie or virtual mirror to new Narcissus. Medijska Istraživanja: Znanstveno-Stručni Časopis Za Novinarstvo i Medije, 20(2), 293–312. https://hrcak.srce.hr/clanak/197608

Mitchell, W. J. T. (2015). Image science: Iconology, visual culture, and media aesthetics. University of Chicago Press.

Morelock, J., & Narita, F. Z. (2021). The society of the selfie. University of Westminster Press. https://doi.org/10.16997/book59

Moreno, S. (2018). Selfie-taking: A key semiotic practice within the ‘show of the self.’ Punctum. International Journal of Semiotics, 4(2), 49–65. https://doi.org/10.18680/hss.2018.0019

Murray, D. C. (2015). Notes to self: the visual culture of selfies in the age of social media. Consumption Markets & Culture, 18(6), 490–516. https://doi.org/10.1080/10253866.2015.1052967

Nguyen, L., & Barbour, K. (2017). Selfies as expressively authentic identity performance. Adelaide Research & Scholarship, 22(11). https://doi.org/10.5210/fm.v22i11.7745

Orhan Kiliç, B., Kiliç, S., Konuksever, D., & Ulukol, B. (2024). The relationship between mothers’ Instagram follower count and the concept of sharenting. Pediatrics International, 66(1), e15736. https://doi.org/10.1111/ped.15736

Ozansoy Çadırcı, T., & Sağkaya Güngör, A. (2019). Love my selfie: selfies in managing impressions on social networks. Journal of Marketing Communications, 25(3), 268–287. https://doi.org/10.1080/13527266.2016.1249390

Ozimek, P., Lainas, S., Bierhoff, H. W., & Rohmann, E. (2023). How photo editing in social media shapes self-perceived attractiveness and self-esteem via self-objectification and physical appearance comparisons. BMC Psychology, 11(1), 99. https://doi.org/10.1186/s40359-023-01143-0

Peraica, A. (2017). Culture of the Selfie. Self-Representation in Contemporary Visual Culture (Vol. 24). Institute of Network Cultures. https://doi.org/10.25969/mediarep/19243.

Renger, A. B. (2017). Narrating Narcissus, reflecting cognition: Illusion, disillusion,“self-cognition” and “love as passion” in Ovid and beyond. Frontiers of Narrative Studies, 3(1), 9–32. https://doi.org/10.1515/fns-2017-0002

Ronningstam, E., & Weinberg, I. (2023). Narcissistic personality disorder: Patterns, processes, and indicators of change in long-term psychotherapy. Journal of Personality Disorders, 37(3), 337–357. https://doi.org/10.1521/pedi.2023.37.3.337

Ronningstam, E. (2012). Alliance building and narcissistic personality disorder. Journal of Clinical Psychology, 68(8), 943–953. https://doi.org/01.pra.0000396060.67150.40

Schimel, J., Arndt, J., Pyszczynski, T., & Greenberg, J. (2001). Being accepted for who we are: evidence that social validation of the intrinsic self reduces general defensiveness. Journal of Personality and Social Psychology, 80(1), 35. https://doi.org/10.1037/0022-3514.80.1.35

Schneider, A. (2022). Symbolic Interactionism: Early Philosophy to Models of Artificial Intelligence. Theories in Social Psychology, Second Edition, 317–349. https://doi.org/10.1002/9781394266616.ch13

Senft, T. M., & Baym, N. K. (2014). Putting framing in perspective: A review of framing and frame analysis across the management and organizational literature. Academy of Management Annals, 8(1), 181–235. https://doi.org/10.5465/19416520.2014.875669

Senft, T. M., & Baym, N. K. (2015). Selfies introduction~ What does the selfie say? Investigating a global phenomenon. International Journal of Communication, 9, 19.

Sheldon, P., & Bryant, K. (2016). Instagram: Motives for its use and relationship to narcissism and contextual age. Computers in Human Behavior, 58, 89–97. https://doi.org/10.1016/j.chb.2015.12.059

Skowronski, K. P. (2018). Does the Pragmatist Reflection on the Ethical and Aesthetic Values need the Kantian Axiology for its (Pragmatist) Future Developments? KP Skowronski and S. Pihlström, Pragmatist Kant. Helsinki: Nordic Pragmatism Network.

Snow, D. A. (2004). Framing processes, ideology, and discursive fields. The Blackwell Companion to Social Movements, 380–412. https://doi.org/10.1002/9780470999103

Solomon, M. (2016). Social media and self-evaluation: The examination of social media use on identity, social comparison, and self-esteem in young female adults [William James College]. https://www.proquest.com/openview/7d66a63f277a84a64907db68fff991ba/1?pq-origsite=gscholar&cbl=18750

Tiidenberg, K., & Gómez Cruz, E. (2015). Selfies, image and the re-making of the body. Body & Society, 21(4), 77–102. https://doi.org/10.1177/1357034X15592465

Tutter, A. (2014). Under the mirror of the sleeping water: Poussin’s Narcissus. The International Journal of Psychoanalysis, 95(6), 1235–1264. https://doi.org/10.1111/1745-8315.12245

Veum, A., & Undrum, L. V. M. (2018). The selfie as a global discourse. Discourse & Society, 29(1), 86–103. https://doi.org/10.1177/0957926517725979

Viega, M. (2016). Science as art: Axiology as a central component in methodology and evaluation of arts-based research (ABR). Music Therapy Perspectives, 34(1), 4–13. https://doi.org/10.1093/mtp/miv043

Walsh, M. J., & Baker, S. A. (2017). The selfie and the transformation of the public–private distinction. Information, Communication & Society, 20(8), 1185–1203. https://doi.org/10.1080/1369118X.2016.1220969

Wang, J. Z., Zhao, S., Wu, C., Adams, R. B., Newman, M. G., Shafir, T., & Tsachor, R. (2023). Unlocking the Emotional World of Visual Media: An Overview of the Science, Research, and Impact of Understanding Emotion Drawing Insights From Psychology, Engineering, and the Arts, This Article Provides a Comprehensive Overview of the Field of Emotion An. Proceedings of the IEEE, 111(10), 1236–1286. https://doi.org/10.1109/JPROC.2023.3273517

Wang, X., & Gu, B. (2022). Ethical Dimensions of App Designs: A Case Study of Photo-and Video-Editing Apps. Journal of Business and Technical Communication, 36(3), 355–400. https://doi.org/10.1177/10506519221087973

Wendt, B. (2014). The Allure of the Selfie. Instagram and the New Self Portrait (Vol. 8). Institute of Network Cultures. https://doi.org/10.25969/mediarep/19300.

Wright, R. G. (2023). Visual Culture Influences on Students’ Experiences When Producing Self-portraits: A Qualitative Descriptive Study. Northcentral University. https://www.proquest.com/openview/b9fd138c62dde59be89ed4acd094943f/1?pq-origsite=gscholar&cbl=18750&diss=y

Yang, J., Zhang, D., Liu, X., Hua, C., & Li, Z. (2022). Destination endorsers raising on short-form travel videos: Self-image construction and endorsement effect measurement. Journal of Hospitality and Tourism Management, 52(September), 101–112. https://doi.org/10.1016/j.jhtm.2022.06.003

Zhao, S., & Zappavigna, M. (2018). Beyond the self: Intersubjectivity and the social semiotic interpretation of the selfie. New Media & Society, 20(5), 1735–1754. https://doi.org/10.1177/1461444817706074

Zolberg, V. L. (1990). Constructing a Sociology of the Arts. Cambridge University Press.




DOI: https://doi.org/10.21831/imaji.v22i1.72427

Refbacks

  • There are currently no refbacks.




Supervised by

RJI Main logo


Our Journal has been Indexed by:

       

 Creative Commons License

website statistics View My Stats