KOMPARATIF TEKNIK DAN EKSPRESI DALAM SENI KRIYA

Abstract

In modern system fine arts discourse these days, expression and
technique region is always questioned to assign value whether/what the
masterpiece can category as swan song or not. Expression always made by
ivorytower in creation of swan song of technique and always the attention cannot
and considered to be skilled as supporter in course of the creation. Expression is
even also comprehended and careful shallow/ superficially where swan song
which is not borne with emotional emotion it is not the expressive masterpiece
endless. Understanding confusion bear all discourse of confused which to isolate
in the end swan song which adiluhung placedly at region of swan song of under
because assumed less be expressive. Regionas discourse problem of expression
and technique befall art kriya so that on the way nya artis tic [of] kriya have
multifarious to mention of manner that is crafting/ diligence art craft artistic of
artistic craft. This mention place art craft of at very region is corner. Very ironic
once where art craft which adiluhung category as art of second class of because
its birth is assumed only need mere crafmanshif and without carrying
expression. Discourse mistake and have enter of at system discourse of fine arts
by komfrehensif require to be straightened, so that domicile art become is equal
to energy and material express different.
Key word: kriya, crafmanshif, adiluhung